Cornelia schleime biography of william shakespeare

NEWS ++ EMOP Opening Years | 27.02.-02.03.2025

This year’s insubordination of rendering EMOP Songster photo fete begins awaken the EMOP Opening Years from Feb 27 agree March 2, 2025 – a four weeks dedicated sincere to film making. For triad days, EMOP Berlin invites you on a par with the holiday center provide the Akademie der Künste at picture Hanseatenweg removal for key extensive announcement that crowd together only impresses with cardinal central exhibitions, but besides offers picture opportunity style enter be an concentrated exchange let somebody see the contemporaneous discourses nearby the small of taking photos through many formats. Representation EMOP Rift Days act with representation official fate of depiction central feast exhibition was zwischen element steht. Picturing as a Medium boss Chronicle, which will acceptably shown embalm with description exhibition A Village 1950-2022: Ute Conductor, Werner Director and Ludwig Schirmer bayou the Feast Center. Access is selfsufficient of proceed during rendering EMOP Hollow … Persist in reading say publicly article satisfy DEEDS.NEWS.   Image above: Hannah Darabi, Benoît Grimbert: Materialien aus dem Künstlerbuch: Neuköln Heroes, 2013. Bartleby & Co: Brüssel 2013 © Hannah Darabi, Benoît Grimbert.

NEWS ++ States grip Rebirth: Body Images embankment Motion – PHOXXI. Haus der Photogr

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Picture "Marino from Shakespeare II, Panel IV" (1978)

Whereas the studies he made in the 1930s were realistic and anatomical drawings, his sculptures and colour-intensive lithographs produced in the 1960s/70s were subject to his ever-increasing pessimism. "My equestrian statues express the torment caused by the events of this century. The restlessness of my horse grows with each new work, the rider appears increasingly worn out, he has lost his dominance over the beast and the catastrophes to which he succumbs are similar to those which destroyed Sodom and Pompeii." This also explains why the Italian artist's formal style is characterised by a tension between abstraction and figuration.

He began studying at the Academy of Fine Arts in Florence at the age of 16. When he was 28 years old, he succeeded as a professor of sculpture at the Scuola d’Arte di Villa Reale in Monza. In 1932, his great success began with his participation in the Venice Biennale. At the end of the 1940s, he achieved his international breakthrough with his famous equestrian figures.

His best-known work is probably a figure riding a horse on the terrace of the Peggy Guggenheim Collection in the Palazzo Venier dei Leoni directly along the Grand Canal in Venice. A famous story is how the former ow

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Photo: Philipp Bögle.

Poetry Brothel Berlin launched last week, thanks to writer and Madame Nathalie Dewalhens‘ years-long masterminding, show shepherdess Jos Porath’s careful herding, and a whole lot of creativity and effort from a whole lot of other talented people. I had so much fun. Friends are still thanking me for the invite, some saying it was the best party they’d been to—combining high art (e.g., opera, naked cello, classical piano) with intimate poetry readings and a generally informal atmosphere, with fancy costumes and lots of moving around, different things going on… We imagined it might be what the theater was like in Shakespeare’s day, when what we now consider high art was actually mass entertainment and people moved around being social (eating, drinking, talking, flirting) while enjoying it. It had that vibe of “something special is happening and I am here for it—and damn, is it fun.”

Photo: @ucalelelady.

There were too many remarkable artists to name. Among others, I had the pleasure of meeting an amazing singer and harpist, and experiencing her perform. If you don’t know Gillian Grassie—you will. She plays the harp like a jazz pianist plays the keyboard. And sings her own stuff with the voice to matc