Donald shaw maclaughlan biography of michael
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American Artists
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Modern Tendencies in Japanese Sculpture
These are qualities now long known and long
appreciated in the work of Mr. Brangwyn. But I
could wish that for the purposes of this article it
had been possible to reproduce more than one of
the preparation studies and drawings for the whole
series. The interest of a preparatory drawing is
immense. The artist is seen, as it were, in puris
naturalibus : his mind works without restraint; and
if hand and brain move well together a series of
studies has something of the interest of an auto-
biography for anyone who has the eyes to read them.
Anyone who has seen Mr. Brangwyn’s chalk draw-
ings for the large picture of the Crucifixion now in
the collection of Captain Audley Harvey will form
“serenity” by yonehara unkai
perhaps, if he had not already done so, a wide
conception of the solid power and the persistent
investigation which are lavished on the preparatory
stages of an important picture.
Gerald C. Siordet.
Modern tendencies in
JAPANESE SCULPTURE. BY
PROF. JIRO HARADA.
While Western influence on our painting usually
meets with strong adverse criticism, that on our
sculpture is pretty generally looked upon with
favour. In regard to sculpture the feeling seems
to be that the•
“Of a Kind Hitherto Unknown”: The American Art Association of Paris in 1908
Emily C. Burns is Assistant Professor of Art History at Auburn University. Her research considers Franco-American artistic and cultural exchange in the late nineteenth and early twentieth centuries. She holds a PhD in Art History and Archaeology from Washington University in St. Louis. Her dissertation, “Innocence Abroad: The Construction and Marketing of an American Artistic Identity in Paris, 1890–1910,” explores American artists’ performances of cultural belatedness in response to French expectations about American culture. She has completed extensive research about American artists’ clubs in Paris and is currently developing a book manuscript on the visual culture of the American West in the French imagination during the fin-de-siècle. Her research has been funded by the Metropolitan Museum of Art, the Smithsonian American Art Museum, the Terra Foundation for American Art, the Baird Library Society of Fellows, and the Crystal Bridges Museum of American Art.
Email the author Ecb0023[at]auburn.eduby Emily C. Burns
Fig. 1, Corner View, American Art Association of Paris, Souvenir of the Louisiana Purchase. American Students’ Census, Paris 1903 (n.p.: Printed by Louella B. Mendenhall, 1903