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The most striking and most telling piece of footage in this celebration of Fidel Castro’s life is also one of its quietist and most melancholy.

It’s 1997 and Cuba is just beginning to emerge from the post-Soviet “special period”; a time of extreme deprivation and uncertainty. A somber group, including Castro, has gathered near an airport runway at dusk. They’re there to meet about a half-dozen small, dark-wood boxes as they’re carried off a plane. Inside the boxes are the remains of Che Guevara and his comrades, finally recovered from the unmarked Bolivian grave in which they had been dumped 30 years before.

Later, after the sun has set and the floodlights have been flipped on, Aleidia Guevara, the daughter of Che, is shown addressing the crowd. Guevara, who like her late father is a physician, speaks with a steady voice, the only sign of emotion are the tear-tracks drying on her fleshy but handsome face.

“Over 30 years ago, our relatives bid us goodbye,” she says. “They left to promote Bolivar and Martí’s ideal of a united Latin America — we never saw them again. Today their remains are returned to us. They have not been defeated. They come as heroes… forever young, brave, and strong.”

With these last words, the camera cuts to the deeply lined, fragile-looking fa

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American freelance journalist and documentarian Jon Alpert have for over the four decades reported and gathered stories from places like Iran, Afghanistan, Egypt, Vietnam, Cambodia, China, etc. He has made documentaries for broadcasting networks like HBO, NBC, and PBS. Jon's latest documentary venture is an amalgamation of  his 40 plus years visits to Cuba, capturing the island nation’s cultural allure, grand socialist dreams as well as the harsh realities. Employing cinema verite style of film-making, Jon Alpert’s Cuba and the Cameraman (2017) distills thousand hours of footage into an enthralling 2 hour documentary, which includes Jon’s semi-regular access to Fidel Castro himself.

The film opens on the occasion of Fidel Castro’s death (November 25, 2016), hailed as a great socialist leader in some quarters and censured as an autocrat by others. Although Jon Alpert covers the big events surrounding Cuba from the early 1970s to the recent times – Castro’s visit to United States, the Mariel Bay boat-lift, post-Soviet Union economic crisis, etc – the documentary’s primary focus lies upon three working-class families, who are visited once in six or seven years, over Jon’s 45 years of Cuban visits. Each of the v