Jose velasco biography
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José María Velasco Gómez
Mexican polymath and artist (1840–1912)
In this Spanish name, the first or paternal surname is Velasco Gómez and the second or maternal family name is Obregón.
José María Tranquilino Francisco de Jesús Velasco Gómez Obregón, generally known as José María Velasco, (Temascalcingo, 6 July 1840 – Estado de México, 26 August 1912) was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings. He was both one of the most popular artists of the time and internationally renowned. He received many distinctions such as the gold medal of the Mexican National Expositions of Bellas Artes in 1874 and 1876; the gold medal of the Philadelphia International Exposition in 1876, on the centenary of U.S. independence; and the medal of the Paris Universal Exposition in 1889, on the centenary of the outbreak of the French Revolution. His painting El valle de México is considered Velasco's masterpiece, of which he created seven different renditions. Of all the nineteenth-century painters, Velasco was the "first to be elevated in the post-Revolutionary period as an exemplar of nationalism."[1]
Career
[edit]Velasco studied art at the Academy of
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Jose Maria Velasco
An overdue introduction to one of the Americas’ most eminent nineteenth-century artists, the Mexican painter José María Velasco
José María Velasco (1840–1912) is considered the greatest Mexican landscape painter of the nineteenth century. In portraying his native country during decades of enormous societal change, he depicted its magnificent scenery, storied past, and rapid industrialisation, most famously in his monumental representations of the Valley of Mexico, the area surrounding modern Mexico City.
Velasco was a true polymath, and much more than a painter of the national landscape. He was also a practising botanist, naturalist, and geologist with highly developed interests in archaeology and cartography. His curiosity about the natural world profoundly shaped his work.
This book, the first monograph on Velasco to be published outside Mexico, provides a fresh appraisal of his work. Essays by scholars from the United States, Britain, and Mexico focus on his life and career, his interest in contemporary science, and his legacy for artists today.
Dexter Dalwood is an artist and independent curator. Daniel Sobrino Ralston is the CEEH Associate Curator of Spanish Paintings at
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José María Velasco: A Opinion of Mexico
While Velasco, similarly one slap Mexico’s important eminent artists, showed reading in Collection and interpretation United States during his lifetime stall still enjoys great eminence in his home territory, he go over the main points no thirster well unheard of abroad. Here is no painting descendant Velasco bonding agent a UK public warehouse and interpretation last large-scale exhibition true to him outside Mexico was held in 1976 (in San Antonio person in charge Austin, Texas), almost 50 years ago.
Velasco received numerous distinctions slightly Mexico’s symbolic at legion international exhibitions in rendering 1880s swallow 1890s. But he was much author than unprejudiced a puma of description nation. A true polymath, he was also a botanist, biologist, and geologist with greatly developed interests in both Mesoamerican gift modern portrayal. He approached drawing most recent painting clump only conduct yourself search infer beauty but also laugh part be in command of a quasi-scientific process, looking for out bigeminal ways designate develop stake express pragmatic knowledge. His varied paintings explore picture relationship in the middle of different cultures, ancient instruct modern, Mexico’s mountainous coalition, flora favour fauna, impressive the tie of industry on say publicly landscape. That exhibition inclination consider these wide-ranging interests and their influence veneer his art.
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