Kelcy taratoa biography template
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Last Updated on April 2,
This article has been written for CIE A Level Art students who are working on their A2 Art Personal Study. It focuses purely on how to write the text of the Study; a previous article outlines how to come up with a good topic; a future article will address the illustrations and presentation methods.
The Personal Study is an area of uncertainty for many A Level Art students. It differs from projects that are usually completed within high school Art programmes, as it involves a substantial written component (maximum 3, words) – something which can intimidate students, especially if they are unfamiliar with how to critically analyse an artwork, make informed judgements and write personal evaluations. With few examples of quality Personal Studies available, it can be difficult to know what is expected and how to begin. This article aims to ease this uncertainty and to make the Personal Study a more easily understood Component.
1. Research thoroughly
The Personal Study should be comprised of informed personal views – that is, views that are supported and shaped by an in-depth understanding of the issues discussed. Before starting the project, students should conduct thorough background research, selecting and recording information f
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KELCY TARATOA: Who am I? … Episode by Dr Warren Feeney
Perusing the pages of KELCY TARATOA: Who am I? … Episode is a journey of self discovery and recognition in the composition of ideas on the canvas by the wonderfully evocative artist, Kelcy Taratoa. It is not difficult to recognise the imagery which draws on traditional New Zealand imagery including popular culture and more historical and indigenous motifs.
Part biography and part curation of Taratoa’s work, KELCY TARATOA: Who am I? … Episode implores the reader to be contemplative, challenging the preconceived notions of societal expectations, and the role of artistry - in any form - on that same society and its subsequent communities. Plus, that innate and interminable search for who we are and why we are links Taratoa with painting - the most historic of all the art forms. Dr Warren Feeney, long time writer on the subject of art and its cultural connection, draws out the nuances of Taratoa’s work and explores the facets of the creative process.
The book is bilingual and translated by Hēni Jacobs (Ngāti Raukawa, Ngāti Porou) and adds to the authenticity of the content. The Māori connection is celebrated in Taratoa’s work and having the language translated into te reo Māori solidifies
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Overview
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