Robert dickerson biography
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Art and Collectors
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Robert Dickerson is among Australia's most celebrated figurative artists. He was born in Sydney as a child of the Great Depression and left school at thirteen to work in a factor. In , after serving in the Royal Australian Air Force and becoming a professional boxer, Dickerson discovered painting: “I knew I had stumbled on the most important discovery about myself that I’d ever make.”
Dickerson was also a prominent member of the Antipodean movement, which included Charles Blackman and Sidney Nolan. In his role, Dickerson produced emotionally charged work often features lone, solemn and at times vulnerable figures. The subject of his paintings, pastel and charcoal drawings draw upon people and situations from everyday life.
Dickerson's work is represented in many regional and state collections throughout Australia, including the National gallery of Australia, the Queensland Art Gallery and the National Gallery of Victoria. His is a unique and acclaimed voice in Australian art.
Click here to read the Art Gallery of New South Wales's biography of the artist.
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ROBERT DICKERSON
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Robert Dickerson
Robert Henry DickersonAO (30 March – 18 October ) was an Australian figurative painter and former member of the Antipodeans group of artists. Dickerson is one of Australia's most recognised figurative artists and one of a generation of influential artists who include Ray Crooke, Charles Blackman, Laurence Hope, Margaret Olley and Inge King.
Professional artist
[edit]Dickerson was a self-taught artist who refused to go to art school. His art has been described as angular and high contrast chiaroscuro and executed in a range of materials including paint, pastels, charcoals and other graphic media.[1]
The inspiration for his art came from everyday life and he drew on the themes of loneliness, vulnerability and isolation.[2] Lone characters with long noses and whimsical, often averted eyes featured heavily of his work. He said it is "the same style I've always used", and did not intend to change it.[3]
In November , art patron John Reed published an article in Ern Malley's Journal (Vol 2) which described Dickerson's work as containing "a new sense of beauty, a new truth". But his break as a professional artist came in when the National Gallery of Victoria purchased his work Man Asleep On The Steps. In he joined Charles B