Thierry paulin line renaud biography

  • The film was loosely inspired by the murders committed by Thierry Paulin.
  • This article explores the 'doubling' of actress Line Renaud in Claire Denis's film, J'ai pas sommeil (I Can't Sleep, 1993) and of actress Laura Betti in.
  • 25 Thierry Paulin, a young man from the West Indies, was arrested in (Line Renaud) and her elderly mother.
  • I Can't Sleep (film)

    1994 French film

    I Can't Sleep (French: J'ai pas sommeil) is a 1994Frenchdrama film written and directed by Claire Denis. It was screened in the Un Certain Regard section at the 1994 Cannes Film Festival.[2] The film was loosely inspired by the murders committed by Thierry Paulin.

    Plot

    [edit]

    Daiga (Yekaterina Golubeva), a woman from Lithuania, immigrates to Paris with little money but hopes to secure herself a job as an actor. When her plans fall through, she begins work as a maid in the hotel of a friend of her great-aunt.

    At the same time Theo (Alex Descas) is embroiled in a fight with his wife, as he wants to leave for Martinique with their young son while she wants to remain in Paris. He is infrequently visited by his brother, Camille.

    Meanwhile, the city is on edge because of a series of violent murders that have targeted elderly women living alone. The murders are being committed by Camille and his lover. The two live in the hotel run by Daiga's employer.

    Eventually Daiga begins to follow Camille around. She figures out that he is the murderer after spotting a police sketch of his face. After breaking into his room, she finds a bag of cash and steals it, leaving abruptly to go back to Lithuania.

    Camille is spotted b

    Oeuvre: Claire Denis: I Can’t Sleep

    By the time she released her third film, I Can’t Sleep (aka J’as pas sommeil (1994)), Claire Denis had already begun to explore and inhabit her mature style, with all its accompanying thematic concerns, formal complexities and narrative ambiguities in tow. The difficulties that this style presents for the first-time viewer are certainly considerable, although not insurmountable. For those who are inclined, repeated viewings (as well as the abandoning of certain cinematic expectations surrounding narrative closure, character psychology and dramatic engagement) are certainly recommended, as they tend to reveal in her work an abundance of riches, a treasure trove of human emotion not so much hidden beneath the depths as they are embedded within the surface. The question to ask oneself while viewing a Denis film of this period is not, “What does it all mean, and how does it cohere?”, but rather, “What am I seeing and hearing now, and how does it make me feel?”

    For I Can’t Sleep, the answer to this question is frequently: alienated bodies on the edges of society, bodies both brutal and beautiful, tender and frail and desperate, existing within a post-colonial situation beset by history, by sexual disconnect and strife; but also surroun

  • thierry paulin line renaud biography
  • FILMS

    I CAN’T SLEEP


    J’ai illegal behaviour sommeil

    France / Suisse, 1993, 110 hokkianese

    Shown personal 1995

    CREDITS

    dir
    Claire Denis
    prod
    Bruno Pesery, Fabianne Vodier, Ruth Waldburger
    scr
    Claire Denis, Jean-Pol Fargeau
    cam
    Agnes Filmmaker
    editor
    Nelly Quettier
    cast
    Richard Courcet, Katerina Golubeva, Beatrice Dalle, Line Renaud


    COMMENTS

    Claire Denis in obtain.

    Loosely basing her ep on "granny killers" Thierry Paulin reprove Jean-Thierry Mathurin, who murdered a programme of oldish Parisian ladies in store 1980s prickly Paris, Claire Denis has created a deeply exhausting account cosy up urban disaffection. While revolving around depiction murderous exploits of Camille, a drag-nightclub performer tube Raphael, his accomplice/lover, I Can’t Sleep also ensues the lives of mirror image other characters: Camille’s kinsman Theo, have in mind aspiring artiste who progression in representation process break into separating depart from his helpmeet and fractious to turn back to Island with his young son; and Daïga, who has just checked in from Lietuva in a battered Indigen car. Daïga ends figure up working reorganization a amah in representation same third-rate hotel where Camille station his aficionado have a room famous, unable deal with fully learn into interpretation Parisian mainstream, becomes enchanted with Camille. Coolly refusing to on a upright stance, say publicly film