Tyutchev biography of donald
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Donald Rayfield
When in I first came across Osip Mandelstam’s poetry, nobody in the USSR had enjoyed access to his work since the early s and few even knew of his existence, let alone of his death, as he had predicted, in Stalin’s Gulag. His books had been removed from libraries and bookshops. Only braver readers kept them, sometimes hidden in saucepans at their dachas. From , supported by the CIA, émigré scholars collected what they could from Russian publications of the writings of banned Russian authors; the works were so in demand that students like myself copied them out by hand. Impressionable readers were stunned by the hypnotic musicality of Mandelstam’s early poems, by the penetrating appreciation of the disaster that unfolded – the ‘ship of time going to the bottom’ – during the First World War and the Russian Revolution, by the fine love poems and by the use of biology to elucidate his times.
For a student of Russian literature, Mandelstam is a godsend. Every poem has memorable lines that could be quoted in many imaginable situations. Some are frivolous – ‘Eternal is the taste of fresh whipped cream,/As is the smell of orange peel’ – and others gnomic: ‘Everything has been. Everything will be repeated/And only the moment of recognition is sweet.’ Mandelstam absorb
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Category Archive
John Dewey spoke on the life and work of Fyodor Tyutchev () who, although one of Russia’s greatest lyric poets, remains unduly neglected outside his native land. Dewey’s book Mirror of the Soul: A Life of the Poet Fyodor Tyutchev, with new translations of the verse, has been written with the aim of bringing this major figure to wider attention in the English-speaking world. It will shortly be published by Brimstone Press ().
Born into a family of well-to-do landowners, Tyutchev spent his childhood and youth in Moscow. After graduating from Moscow University at the age of 18, he joined the Foreign Service and for the next 22 years lived abroad, serving for most of this time as a diplomat at the Russian Embassy in Munich. Here he immersed himself in western culture, becoming personally acquainted with such figures as Heinrich Heine and Friedrich Schelling and in general absorbing the influences of German Romantic literature and philosophy. One of his best-known ‘philosophical’ poems, ‘Silentium!’, was written in the late s. Tolstoy, a great admirer of Tyutchev’s verse, called this ‘the very model of a poem in which every word is in the right place’.
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